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My research interests range from the playwright Samuel Beckett to modern practices in directing and scenography, as well as contemporary British, Irish and Northern Irish playwriting.

Much of my research has explored performance histories and practices in the UK from the 1950s to the present day. I completed my Arts and Humanities Research Council (AHRC)-funded PhD in the Department as part of the , where I investigated the production histories of Samuel Beckett’s drama in London. This led to a number of published articles and interviews with key practitioners of Beckett’s drama. It also led me to co-curate the exhibition for the Happy Days Enniskillen International Beckett Festival. This research developed new methods in theatre historiography and included significant research in performing arts archives. I was a Visiting Fellow at the Harry Ransom Center (University of Texas, Austin) as part of the AHRC’s International Placement Scheme.

During my recent appointment as a Jocelyn Herbert Postdoctoral Research Fellow at the University of the Arts London and the National Theatre Archive, I advanced my interest in how historical and contemporary theatre designers represent the real or reality in performance with a specific focus on Herbert’s designs for the plays of Arnold Wesker and David Storey. As part of this Fellowship, I spoke and co-convened , a theatre design symposium held at the National Theatre and, in 2020, I will co-convene a second theatre design symposium on .

Much of my teaching builds upon my experience as a theatre practitioner, where I have acted in TIE in France and Belgium and worked as a director in Belfast and London. Notably, I was Assistant Director on at the Royal Court Theatre and, more recently, I supervised an in-the-round production of The Cherry Orchard at Minghella Studios.

In the Department, I have also been responsible for initiating the Race and Performance Today series, which saw the Department host in-conversation events with leading playwrights, including and . In 2018, I was appointed Project Manager on ºÚ¹Ï³ÔÁÏÍø Assembly at Tate Exchange at the Tate Modern, which saw over 3,800 visitors engage with the Department’s vibrant programme of events on the theme of production.